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ORDERING VINTAGE GAY VIDEOS PLUS
As of this August, both are available exclusively on PinkLabelTV, either streaming on-demand or with a PinkLabelTV PLUS subscription.įounded in 2013 by queer feminist producer and director Shine Louise Houston, the PinkLabel platform is a treasure trove of indie adult entertainment, with diverse titles grouped into several appealing channels. Two of them, Passing Strangers and Forbidden Letters, represent the plot-driven gay male erotica Bressan is better known for, and are the latest of his films to be restored by the Bressan Project. Bressan, Jr., including his landmark 1978 documentary Gay USA, chronicling the LGBTQ rights movement, and the wrenching 1985 drama Buddies, the first feature film to tackle the AIDS crisis.īressan himself succumbed to complications related to AIDS in 1987, following a prolific period in which the native New Yorker directed ten films in ten years. For several years, Olson and the Bressan Project have worked to restore the films of pioneering gay filmmaker Arthur J. The journey down the virtual video aisles of streaming platform PinkLabelTV began with a message from Jenni Olson, filmmaker, film historian, and co-director of the Bressan Project. I masked and distanced, marched and protested, hiked through a forest and laid on a beach. I mourned a death in the family, along with the deaths of many I didn’t know. I also worked from home, at seemingly all hours, and tried to keep up with the world’s deluge of conflict and disruption. I didn’t just watch porn all summer, of course, but I watched more porn than usual. Perhaps there are those who’d decline or scoff at the opportunity. UCSD Academic Senate.Wakefield Poole’s “Boys in the Sand” - Vintage Gay Adult FilmsĪt some point during the quarantine, a well-curated adult entertainment website approached me, offering access to peruse their voluminous catalog. The Funding Exchange's Paul Roberson Fund. Funded with support from: Lynn Blumenthal Memorial Fund.
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Audio Facilities: The Banff Center for the Arts- Paul Herspiegel, Audio Engineer. Luke Van Dyk, Post Production Supervisor.
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On-line Facilities: The Banff Center for the Arts, Television and Video- Sara Diamond, Executive Director. Rodney Hurley at Long Island University Videoadaptors. Video Post Production Facilities: UCSD Media Center, Rea Tajiri. Avid Post Production Facilities: Clockwork Studios. Additional High 8mm Camera: John Benthum. Super 8mm Film Camera: Thomas Allen Harris. Super 8mm Archival Footage: Albert Sydney Johnson. Edited By: Thomas Allen Harris and Christopher Kuhrt. With the Crative Collaboration of: Adrian Jones. Produced, Directed, Written and Conceived by: Thomas Allen Harris. Interweaving conversations among family members, verite documentary footage, dramatic portrayals, experimental recreations, visual abstractions, music television strategies and archival photographs, Vintage is a mosaic of extended black families.
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In contrast to traditional documentaries, Vintage places the camera in the hands of family members to construct a collective autobiographical presentation of family. Vintage is a meditative and reflexive look at black families through the eyes of black lesbian and gay siblings.